Quantcast
Channel: Smart Bitches, Trashy BooksSmart Bitches, Trashy Books
Viewing all 12283 articles
Browse latest View live

150. Read More Romance, Drink More Tea: An Interview With Sassy Outwater

$
0
0

Sarah gets an update from Sassy Outwater on how her surgery went (spoiler alert: she’s doing good and the doctors seem to have removed ALL the cancer – woo!). We talk about her reading during her recovery, therapy to help her brain rewire itself, and disabled characters in romance. We also get a sample of what books sound like for blind readers.

Listen to the podcast →
Read the transcript →

Here are the books we discuss in this podcast:

If you like the podcast, you can subscribe to our feed, or find us at iTunes. You can also find us at PodcastPickle and on Stitcher, too.

Thanks to our sponsors:

What did you think of today's episode? Got ideas? Suggestions? You can talk to us on the blog entries for the podcast or talk to us on Facebook if that's where you hang out online. You can email us at sbjpodcast@gmail.com or you can call and leave us a message at our Google voice number: 201-371-DBSA. Please don't forget to give us a name and where you're calling from so we can work your message into an upcoming podcast.

Thanks for listening!

This Episode's Music

Our music is provided by Sassy Outwater each week. This is the Peatbog Faeries brand new album Blackhouse. This track is called “The Ranch.”

You can find their new album at Amazon, at iTunes, or wherever you like to buy your fine music.


Podcast Sponsor

This podcast is brought to you by New American Library, publisher of THE COLLAR, the sizzling-hot new Submissive novel from New York Times bestselling author Tara Sue Me.

Nathaniel and Abby are struggling to navigate the challenging waters of their own relationship, when they get a surprising phone call from their partners in play, Dena and Jeff, who are in need of a helping hand…

Seven years ago, blonde, beautiful lawyer Dena Jenkins was tired of her carefully controlled life. Desperate for something exhilarating to help her escape the pressures of her demanding job and her senator father, she joined a steamy, local BDSM club as a submissive. There she met brooding Dominant, Jeff. The attraction between them was undeniable, and, despite Dena’s doubts, they couldn’t stay away from each other.

Except, as the years have passed, their blazing connection has proven difficult to maintain. Dena and Jeff have a history they’d rather forget, but Dena can’t let go of the past, and Jeff is ready to move across the country to give her space. Now, to save their passion, they’ll have to rediscover what it means to trust each other—and give themselves to each other completely…

Available now wherever books are sold.

Transcript Sponsor

WattpadpodcastThis week’s podcast transcript, compiled by Garlic Knitter, was sponsored by Wattpad, a community where over 40 million people from around the world are reading, writing, and connecting over stories. Whatever you’re into, there’s a story you’ll love on Wattpad.

We have over two million romance stories by some of your favorite authors and by fresh new voices.

The best part? Our stories are free—on any phone, tablet, or desktop, anywhere in the world. Read a historical romance one week, a love story starring Taylor Swift and Karlie Kloss another week, and Sandra Brown and Colleen Hoover novels the next.

With Wattpad you can escape into a story, express yourself creatively, and connect with people who love the same things you do — all from the Internet-connected device you already own. Wattpad is an engaging and supportive community that brings stories to life and connects readers and authors in a totally new way.

Join today to find your happily ever after!

Remember to subscribe to our podcast feed, find us on iTunes, via PodcastPickle, or on Stitcher.

Two Jennifer Estep Spider Novels and Sweet Filthy Boy on Sale Today!

$
0
0

There are some spiffy Kindle Daily Deals today, though they don’t seem to be price-matched…yet. Come on, price matching fairies!

Tangled Threads

Tangled Threads by Jennifer Estep is $1.99 today only as a Kindle Daily Deal. This is book 4 of the Gin Blanco series, also known as the Elemental Assassin series, which mixes paranormal, urban fantasy, ass kicking, and some romance. I also noticed that the Kindle sale also prompts a sale on the Audible book, too. That’s always nice. This book has a 4+ star average, and I know the series has many fans around here.

I’d rather face a dozen lethal assassins any night than deal with something as tricky, convoluted, and fragile as my feelings.

But here I am. Gin Blanco, the semi-retired assassin known as the Spider. Hovering outside sexy businessman Owen Grayson’s front door like a nervous teenage girl. One thing I like about Owen: he doesn’t shy away from my past—or my present. And right now I have a bull’s-eye on my forehead. Cold-blooded Fire elemental Mab Monroe has hired one of the smartest assassins in the business to trap me. Elektra LaFleur is skilled and efficient, with deadly electrical elemental magic as potent as my own Ice and Stone powers. Which means there’s a fifty-fifty chance one of us won’t survive this battle. I intend to kill LaFleur—or die trying—because Mab wants the assassin to take out my baby sister, Detective Bria Coolidge, too. The only problem is, Bria has no idea I’m her long-lost sibling . . . or that I’m the murderer she’s been chasing through Ashland for weeks. And what Bria doesn’t know just might get us both dead. . . .

Add to Goodreads To-Read List →

This book is on sale at:

Amazon Audible

 

 

 

Spider’s Revenge

Spider’s Revenge by Jennifer Estep is $1.99 today only as a Kindle deal. This book has a 4+ star average, and is book 5 in the Elemental Assassin series. The sale for this book seems to prompt a sale on the Audible copy as well. Weekend reading ahoy!

Old habits die hard for assassins.

And I plan on murdering someone before the night is through.

Killing used to be my regular gig, after all. Gin Blanco, aka the Spider, assassin-for-hire. And I was very, very good at it. Now, I’m ready to make the one hit that truly matters: Mab Monroe, the dangerous Fire elemental who murdered my family when I was thirteen. Oh, I don’t think the mission will be easy, but turns out it’s a bit more problematic than expected. The bitch knows I’m coming for her. So now I’m up against the army of lethal bounty hunters Mab hired to track me down. She also put a price on my baby sister’s head. Keeping Bria safe is my first priority. Taking Mab out is a close second. Good thing I’ve got my powerful Ice and Stone magic—and my irresistible lover, Owen Grayson—to watch my back. This battle has been years in the making, and there’s a good chance I won’t survive. But if I’m going down, then Mab’s coming with me . . . no matter what I have to do to make that happen.

Add to Goodreads To-Read List →

This book is on sale at:

Amazon Audible

 

 

 

Sweet Filthy Boy

Sweet Filthy Boy by Christina Lauren is $1.99 today only. This is New Adult romance, and Jane mentioned it on a podcast awhile back as a book she enjoyed. This is book 1 in the Wild Seasons series, and it has a 4+ star average on GoodReads.

One-night stands are supposed to be with someone convenient, or wickedly persuasive, or regrettable. They aren’t supposed to be with someone like him.

But after a crazy Vegas weekend celebrating her college graduation—and terrified of the future path she knows is a cop-out—Mia Holland makes the wildest decision of her life: follow Ansel Guillaume—her sweet, filthy fling—to France for the summer and just…play.

When feelings begin to develop behind the provocative roles they take on, and their temporary masquerade adventures begin to feel real, Mia will have to decide if she belongs in the life she left because it was all wrong, or in the strange new one that seems worlds away.

Add to Goodreads To-Read List →

This book is on sale at:

Amazon Audible

 

 

 

Whatcha Reading? July 2015 Edition

$
0
0

Book with a field and a road on the pages against a blue cloudy skyIt’s time to discuss everything you’re reading and then we’ll all go buy books.

Ok,  will go buy books because I’m in a bit of a slump. The last three books on my list that I tried (yes, I keep a list – it’s the only way I’ll remember what I’m supposed to be reading when) just did not work for me at all. Huge bummer! I started making frustrated noises one afternoon and Hubby turned to me and said, “Another book you don’t like!?” This is not usually what happens when I build a list of books I want to read. So bummed out, I can’t even.

So this month, I’m going to be reading everyone’s recommendations with a lot of interest!

 

When a Scot Ties the Knot
A | BN | K | ARe | iB
Redheadedgirl:

I’m reading When a Scot Ties a Knot, the new Tessa Dare, and just finished Begging for It by Lilah Pace ( A | BN | K | G | ARe | iB ) and Delicious by Sherry Thomas ( A | BN | K | G | ARe | iB ).

 

 

What a Lass Wants
A | BN | K | ARe | iB
Elyse:

I’m reading What a Lass Wants by Rowan Keats. It’s a medieval Scottish historical with royal intrigue. I’m also reading Naked by Eliza Redgold ( A | BN | K | G | ARe | iB ), a historical novel about Lady Godiva. And because I multi-task I’m reading An Abundance of Katherines by John Green ( A | BN | K | G | ARe | iB )but I think I’m going to give up on it because it’s really not doing anything for me.

 

 

Need Me
A | BN | K | ARe | iB
Amanda: 

Right now, I’m reading Need Me by Tessa Bailey. This is the second book in her Broke & Beautiful series. I loved the first book, Chase Me ( A | BN | K | G | ARe | iB | Scribd ), and I’m anxiously awaiting the third book, Make Me ( A | BN | K | G | ARe | iB ) – blue collar hero and Type A heroine. YASSSS. Bailey has some of the most hilarious characters and dialogue I’ve read in a long time. After that, I think I’m going to try my first Christina Lauren – Sweet, Filthy Boy ( A | BN | K | G | ARe | iB | Au ).

 

 

Have you read anything good this month? What books did you knock off your TBR pile? Whatcha reading?


Shopping note:

After a Whatcha Reading? discussion, Lisa M emailed me to ask if I could link the books mentioned in the comments to the various retailers to make shopping a little easier. I wish I could! But  I can drop some retailer links for you right here, so that if you feel like shopping, you can select your preferred retailer.

Some of these links are affiliate-enabled, and SBTB receives a percentage commission from purchases made. If you use them, many thanks. If you don’t want to us them, no worries, mate! (And if your preferred retailer isn’t here, let me know and I’ll add it for you if I can!)

Amazon BN Logo Kobo AllRomance Ibookstore Google Play audible

The Podcast Transcript for Episode 150 is Ready!

It’s in His Kiss by Jill Shalvis

$
0
0

B

It’s in His Kiss

by Jill Shalvis
August 26, 2014 · Grand Central
Contemporary RomanceRomance

This RITA® Reader Challenge 2015 review was written by Erica. This story was nominated for the RITA® in the Long Contemporary category.

The summary:

Becca Thorpe has uprooted her life and escaped to the beach. Now’s her chance to get away from city living, throw caution to the ocean winds, and live in the moment. Especially if the moment includes the deliciously sexy surfer she meets shortly after arriving in Lucky Harbor. Something about the dark intensity of Sam’s eyes and the thrill she gets at his touch convinces her to stay awhile.

Boatbuilder and investment genius Sam Brody is a self-made man who knows how dangerous it can be to mix business and pleasure. But he can’t resist offering Becca a job just to hear her laugh and have her near. Yet when her brother comes to town asking for help, will he tempt her back to her glamorous life in the city? Or do Sam and little Lucky Harbor have a chance to win Becca’s heart?

Here is Erica's review:

I love Jill Shalvis. I really do. She writes these funny, sexy, sweet stories featuring snappy, literally laugh out loud dialogue and heroines who are frequently goofy and make terrible decisions and are addicted to various forms of junk food, and her stories always leave me feeling warm and happy. It’s like anti-depressants in book form.

It’s in His Kiss is no different. It’s one of the Lucky Harbor books, the first of the final trilogy, which makes it number 10, but you can totally read this by itself. Lucky Harbor is fun times, as always. Lucille is bonkers. The guys of Lucky Harbor all hang out and work out together. The small coastal town vibe is alive and well and wonderful, and one of my favorite things about it.

Becca is a fantastic character. Smart, determined, goofy, and she has issues. I liked the fact that Becca was the seriously damaged character. I mean, Sam is not a picnic or anything, but out of the two Becca is the one with major Dramatic Backstory. She does things that are groan-inducing, but I’ve always liked that about Shalvis heroines. There’s a scene where Becca is caught watching Sam and his hottie friends working out outside, and she drops to the floor to try to hide, and it’s hilarious. And even as I’m laughing and cringing, I’m thinking, holy shit, that is so something I would do. There’s a moment where she says, “Apparently sharing orgasms was easier than sharing your soul.” And I laugh and mutter, “Real talk, girl.”

Sam is… Sam is really sigh-worthy. He’s protective, but in a sweet way. He’s gentle and sexy and fantastic. He has damage, too, which causes some very annoying drama at the end of the book. Seriously, I wanted to beat him over the head with something large and heavy. But he keeps buying her ranch-flavored popcorn, so I can forgive him.

One of my absolute favorite things about how Shalvis writes is that friends are always so important to the story. The heroes always have a pack of bros they hang with, which is partly sequel-bait, and partly because even if they don’t let people in, or they have issues or whatever the drama is, relationships are important. The heroines always develop a sisterhood of friends (or real sisters), and they are always really integral to the characters and development and all of that. I love this. Even as I recognize the sequel-bait nature of the thing, the friends are still important and real and it’s so awesome that it’s not JUST about the romance (not that there’s anything wrong with that, I am a fan of romance, after all), it’s also about friends and coming to be accepted and loved by the town, which is almost another character.

Anyway, I totally cheated and “read” this by listening to the audiobook, and it. is. fantastic. It’s narrated by Suehyla El Attar, who has this great low, rich voice. She really gets the Shalvis rhythm and humor. She makes her female voices interesting, but real. Becca’s voice is a nice mix of sweet and gentle and slightly timid. She does great male voices, too, which is pretty fantastic. There are moments where I actually forget that it’s a woman talking and I get all kinds butterflies.

But. But there are problems with all of Shalvis’s books. The heroes are all super “manly” and rugged and beefcake. And while they’re hot and all of that, I get a tiny bit frustrated that there are no math professor heroes or something like that. Some lanky and not cut with a six-pack dude. All of the heroines are thin with a fear of spiders and matching underwear. I have matched my underwear like four times in my life. I’m just saying, there’s a big fantasy element to the series. This small town with this epic population of supermodel-worthy guys? That shit is not real. And, if you, say, decide to go on a Shalvis binge and read all of the Lucky Harbor books in a week, you start to get really irritated by the similarities of all the characters. Hence my comment that all the heroines are afraid of spiders. I’m not a fan of spiders, but I don’t completely lose my shit when I see one either. You beat the shit out of it with a  flip flop and get a handy dude to move the carcass and move on with your life. (Mostly kidding.) But while I don’t need every character to be like me, I would rather not every character be so similar.

I also have big issues with the way that the male characters swear their asses off in these books, but the women don’t. The guys say fuck and call each other pussies, and so on, but the women never say anything harder than shit, and I may be reaching on that one. And once again, it’s not something that I need a character to do, but when you realize that after ten books not one of them (even a character who once lived on the streets, and you know she would be dropping some damn f-bombs), has ever said something harder than shit, it’s a little annoying. Especially with the gender disparity. But then again, I swear like a sailor and always have, so maybe I’m a little too biased.

It’s like… I love these books because the characters, especially the heroines, do stupid, funny shit and you’re like, oh man, that is so me. Because it is, it’s funny, and it’s way out there, but there’s so much that’s real to it, that the moments of just pure fantasy – another guy with a six pack and cut biceps, another thin pretty girl in matching pink panties and bra – weaken the story.

But all that being said, I still really, really love Jill Shalvis and her writing. Even as I’m rolling my eyes at another oh-my-god-there’s-a-spider dance, I’m chuckling at the goofy things happening, laughing out loud at Lucille, and getting all the butterflies from pretty significantly hot for a small-town contemporary sexytimes. It’s a damn good time to be in her world, even with the fantasy glaze on everything.

So, grading. This is a hard one to grade, because so much of what bothers me bothers me because of the rest of the series. Well, mostly. I am still really irritated at Sam for the drama at the end of the book, but he redeemed himself enough that I still wound up making happy sighs when it ended. I really enjoy the book, but it’s not Earth-shattering or anything. It’s like… It’s like curling up in a warm blanket on a chilly day. It’s comfortable. It’s pleasant. It’s fun. So. Ummm. Okay, I’m going with a B. But just to make clear how much I enjoy these books, despite all my criticisms, I am totally getting the next book in the series and glomming onto that. So, make of that what you will.

Outlander and The Good Girl on Sale!

$
0
0

The Good Girl

RECOMMENDED: The Good Girl by Mary Kubica is $2.99 digitally. Elyse discussed this book in her recent post Good Girl, Gone Girl and Women in Psychological Thrillers. She wrote, “Parts of the novel takes place during the period of time of Mia’s disappearance and others take place after. The hook is that after her traumatic rescue, Mia cannot remember the months she spent with her abductor. I won’t ruin it for this audience, but the book is not the typical female-in-jeopardy situation.” So if you’re looking for thrillers, this might really work for you.

One night, Mia Dennett enters a bar to meet her on-again, off-again boyfriend, but when he doesn’t show up, she leaves with an enigmatic stranger. At first Colin Thatcher seems like a safe one-night stand, but following Colin home will turn out to be the worst mistake of Mia’s life.

Add to Goodreads To-Read List →

This book is on sale at:

Amazon Barnes & Noble Kobo Google Play iBooks

 

 

 

Outlander

RECOMMENDED: Outlander by Diana Gabaldon is $1.99 at Amazon right now. Calling the price matching fairies! No one here ever talks about Outlander, it certainly doesn’t have one of the most popular heroes or couples in fiction, and it’s not a perennial bestseller. (Seriously, $1.99 is a great price because these books are looooooong.) Thank you to Gloriamarie for the heads up!

The year is 1945. Claire Randall, a former combat nurse, is just back from the war and reunited with her husband on a second honeymoon when she walks through a standing stone in one of the ancient circles that dot the British Isles. Suddenly she is a Sassenach—an “outlander”—in a Scotland torn by war and raiding border clans in the year of Our Lord . . . 1743.

Hurled back in time by forces she cannot understand, Claire is catapulted into the intrigues of lairds and spies that may threaten her life, and shatter her heart. For here James Fraser, a gallant young Scots warrior, shows her a love so absolute that Claire becomes a woman torn between fidelity and desire—and between two vastly different men in two irreconcilable lives.

Add to Goodreads To-Read List →

This book is on sale at:

Amazon Audible

 

 

 

The Sweetest September by Liz Talley

$
0
0

B

The Sweetest September

by Liz Talley
August 1, 2014 · Harlequin Superromance
Contemporary RomanceRomance

This RITA® Reader Challenge 2015 review was written by PamG. This story was nominated for the RITA® in the Long Contemporary category.

The summary:

A mistake that’s meant to be… 

All John Beauchamp wants is a simple life. He’s happy running his Louisiana sugar cane plantation and doesn’t want more than that. Then Shelby Mackey breezes in, announcing that she’s pregnant. Their one crazy night of passion has changed everything.

Except Shelby insists John doesn’t have to be involved—she’ll raise the baby herself. But John can’t let her go that easily. Even without the baby, Shelby is a breath of fresh air. Her call-it-as-she-sees-it attitude intrigues and attracts him. So when Shelby agrees to stay temporarily, John’s determined to make that stay permanent—and as sweet as can be.

Here is PamG's review:

I wanted to review Sweetest September because I’d read a couple of Liz Talley’s earlier works and enjoyed them. The novels I read were set in New Orleans and were both distinguished by a really strong sense of place. One of them, His Uptown Girl, also exhibited a level of risk-taking in the story-telling that I found both intriguing and original. Sweetest September turned out to be a totally different kettle of fish. That difference is not qualitative. It just is.

Sweetest September is based on a couple of the most familiar romance tropes, neither of which is a favorite of mine.

  • First, it is a small town romance. Chick from big city on left coast finds herself in small Louisiana town and is gradually but thoroughly charmed.
  • Second, the dominant plot device is an accidental pregnancy. I won’t say that I can’t ever tolerate this plot device, but mostly just knowing a prospective baby is driving the romance puts me off.  I prefer the focus to be on the couple sans hostage to fate.

I know that either or both of these storylines are catnip for a lot of people, and I hope I’m able to convey the elements I genuinely liked about this book.  I want to observe, first of all, that the story telling in Sweetest September is extremely linear. John and Shelby meet, drink, and fuck in a rural dive called Boots Grocery. We learn that Shelby has been painfully dumped and John is marking the one year anniversary of his wife’s accidental death.

Six weeks later, Shelby rolls back into town because she feels obligated to tell the baby daddy about his impending change of status. This upfront approach to problems is characteristic of the entire novel, and I found it very refreshing. Each act and each decision that Shelby and John make is practical and reasonable. At first the only thing that they have in common is a strong desire for this child; their growing interest in each other seems realistically gradual and credible. I found the chemistry somewhat muted, and when the relationship is consummated, the sex is urgent but not particularly raunchy. After the first time, it’s mostly kind of forgettable. Also, is anyone else tired of “liquid heat pooling low” in the belly, gut, abdomen, core?

John and Shelby are grownups. Neither character acted with the ultimate irresponsibility during their drunken one night five minute stand, though both will no doubt think twice about cheap hot pink condoms in future.  Their situation is a mistake. Shelby considers abortion but is deterred by the sound of her baby’s heartbeat. Talley doesn’t ignore the options available to a woman in this situation nor does she lard this decision with a bunch of judgey generalities.

John’s immediate and reasonable response to the news is not all “yay!”  but he asks the inevitable questions in a civil, non-douchey way. After John has adjusted to his new circumstances, he starts to search for ways to make the situation better for all of them.

“I want to be there for every part of your pregnancy. Neither of us planned this, but you don’t have to go through this alone. I can’t go to Seattle, but you can stay here. We can have this baby together.”

Shelby’s sunny personality makes a nice complement to John’s solid decency, though she uses humor and optimism to protect herself from the  perceived rejections in her past. So while this baby trope is annoying and somewhat boring to me, I found myself really caring about serious John and upbeat Shelby. No, they didn’t give me all the feels, but they were realistic and likeable, and I appreciated that.

One aspect of this story that really resonated with me was the fact that John is a working farmer. Sometime back, there was some discussion on this site of why there weren’t more romances with farming backgrounds. Well, here ya go. John spends a lot of time dirty and tired, and the land he works is far from pretty and picturesque. Talley does not gussy up the brutal work of growing cane.  Shelby enters a different world when she comes to Magnolia Bend and takes in John’s real life for the first time: “She’d never thought a farmer could look, well, sexy. But John Beauchamp had that going for him. . . not that she was interested.” That Shelby makes this observation in a mucky cane field kind of indicates her openness to new impressions and makes subsequent events more believable. Later on, John explains his reasons for what he does and this is a moment that absolutely grabs me.

“Yeah, but I love being out there, love the challenge of trying new things. Farming is a science and a gamble. There’s something about that I love.”

“So you’re a risk taker.” She smiled.

“Most people think of farming as simplistic and benign, but at heart a farmer is a rebel, shaking his fist against nature while secretly on his knees praying. I love what I do.”

This, right here, exactly expresses something true about farming. My dad retired after 30+ years as an electrician in Connecticut to raise blueberries in north Florida. John expresses my dad’s feelings about his second career exactly and that’s a big part of why I love this character in particular.

I have to say that the community of Magnolia Bend did not rise to the same level of realism or interest as its residents. While the ambience of a small southern town seems fairly authentic to my limited experience, Magnolia Bend and its residents lacked the level of detail that gives a reader a sense impression of people and place. I think Talley handled this much better in a couple of her books about New Orleans, and I think that the fact that it was New Orleans, a city of mega-personality, is not an adequate excuse to skimp on the unique qualities of a small town. Rural communities may have loads of atmosphere, but they sometimes seem boring to readers as well as to those who live in the real thing.  The physical descriptions of Magnolia Bend are pretty much limited to one description of driving through town to the doctor’s office and of the annual Candy Cane festival.  While the latter is the setting for an ah-ha moment for our main characters, I didn’t get any sense of the festival being a particularly fun or inspiring place to be. I understand that this ordinariness might be intentional, but it didn’t ring my chimes.

One thing I found interesting about this novel was the portrayal of a very Christian southern community. Except for the sexytimes, faith seems very central to this novel. What I liked was the acceptance of religion as a matter-of-fact part of community and personal life. When characters appeal to God, they really seem to be appealing to God. John is a preacher’s kid and the influence of his upbringing is obvious in his response to Shelby’s news. And that influence is clearly positive. His parents are balanced and likeable. To me, this is a good thing. Religion can be so divisive that I think a lot of authors try to ignore its role in people’s lives. I don’t think a small southern town like Magnolia Bend could be authentically portrayed without admitting the pervasive influence of religion. Talley doesn’t proselytize, but she ably describes ordinary individual practice of religion. What she doesn’t portray is a religiously (or any other kind of) diverse community. There does seem a little confusion as to the difference between Episcopal and Catholic schools. Though different religions are mentioned, they seem to be presented as part of a somewhat homogenized Christianity. Shelby has no obvious religious affiliation and her decisions are based on personal emotion and ethics until late in the novel when there is a small indicator of some sort of religious background. I suspect that the thread of religion winding through the story could be a make-or-break factor in some readers’ reactions to the novel.

The same fuzzy edges that dulled the depiction of Magnolia Bend seemed to afflict most of the secondary characters in Sweetest September.  None of the characters seemed completely cardboard or one-dimensional, but their sole importance seemed to be their role in relation to John and Shelby. John’ s family is overpoweringly nice. I would have enjoyed seeing more of his parents and a lot more of his sister, Abigail and niece, Birdie.

The most negative characterization in the book is that of John’s former mother-in-law, Carla, who allows her abiding grief and loneliness to drive her to hatred of Shelby and severe bitchery towards John for daring to recover from his (her) loss. Carla is a major source of the novel’s conflict aside from the internalized emotional issues of the main characters, but Carla’s malevolence is almost turned on and off  to build suspense. The reader is exposed to her hostility, but it seems a little out of context as one sees little of who Carla was before the appearance of Shelby in John’s life. Talley makes it very plain that Carla is aware of and acknowledges the cruelty of her treatment of John, yet chooses to act based on her own entrenched misery. It makes Carla stand out as an interesting character, but her actual role in the story is severely limited and ultimately irrelevant. The threat that Carla represents to Shelby and John’s HEA is resolved in an overly easy and unsatisfying way. It is the one element that seems very contrived, and it tends to obscure the main characters’ struggle to resolve their personal issues and commit to one another. Can’t say more because spoilers.

I think a major element that I enjoyed about Sweetest September, was the unpretentious, yet really solid writing. The narrative is smooth and well edited. Talley has a sly sense of humor that peppered my reading time with the occasional and much appreciated snort-laugh. Though Shelby, John’s mother, Fancy, and his relative, Hilda, all demonstrate high spirits, this story is not really heavy on banter between the central couple. What it does have are Karo flavored zingers sprinkled through the story. Talley is really the mistress of the well-placed simile.  “All his good intentions of being a friend dissolved like a fart in the wind.” Yeah, it’s vulgar, but I laughed like a twelve year old boy. “So why was he studying her lips like they were chocolate and he had PMS?” Yup, laughed again. And then there were the metaphors. “He could have been a gherkin for all she knew.” Well placed humor is always a positive for me as long as it isn’t used to grind the characters down, so the author’s voice really worked for me

Overall, I’d recommend The Sweetest September to anyone who enjoys a mellow small town romance with likeable characters, mild quirky humor, and not a lot of angst. I’m choosing the B grade because the quality of the writing is good, and I have a soft spot for good writing and for the rural south.

SBTB/DA Bestsellers: 7-14 July 2015

$
0
0

This week’s bestseller list is brought to you by summer vacations, no tan lines, and our affiliate sales data!

We also have a tie for the tenth slot on our list. Forever Mine by Monica Burns ( A | BN | K | ARe | iB )

  1. The Husband Test by Betina Krahn Amazon | B&N | Kobo | GooglePlay | ARe
  2. The Pretenders by Joan Wolf Amazon | B&N | Kobo
  3. Liar, Temptress, Soldier, Spy by Karen Abbott Amazon | B&N | Kobo | GooglePlay | ARe
  4. The Wild Marquis by Miranda Neville Amazon | B&N | Kobo | GooglePlay | ARe
  5. Evernight by Kristen Callihan Amazon | B&N | Kobo | GooglePlay | ARe
  6. Touch & Go by Mira Lyn Kelly Amazon | B&N | Kobo | GooglePlay | ARe
  7. The Hurricane by R.J. Prescott Amazon | B&N | Kobo | GooglePlay | ARe
  8. Between the Sheets by Molly O'Keefe Amazon | B&N | Kobo | GooglePlay | ARe
  9. Cold Comfort Farm by Stella Gibbons Amazon | B&N | Kobo | GooglePlay | ARe
  10. It’s in His Kiss by Jill Shalvis Amazon | B&N | Kobo | GooglePlay | ARe

I hope your weekend reading has been equal parts satisfying and awesome!


Kindle Daily Deal: Jeaniene Frost’s Night Prince Series!

$
0
0

Once Burned

RECOMMENDED: Once Burned by Jeaniene Frost is on sale for $1.99 as part of the Kindle Daily Deal! Sarah reviewed Once Burned and gave it a B:

I haven’t read vampire novels in a VERY long time. I have been vamped-out, were-d out, and thoroughly exhausted by all the plots that add paranormalness of various flavors. Aside from the occasional YA paranormal (such as this month’s book club selection) I haven’t read a paranormal romance in months, possibly.

I’m not sure why I made the exception for this one. I was designing the ad for it and the tagline, about a woman who can control electricity and a vampire who can control fire, caught my attention. We hosted a giveaway with a firepit, so I had press materials about the book in my inbox. Then I saw a few positive tweets about it, and then I read the sample, and boom – it was “leave me alone, it’s electric vampire time.” I was honestly very surprised – my paraxhaustion was pretty entrenched.

She’s a mortal with dark powers…

After a tragic accident scarred her body and destroyed her dreams, Leila never imagined that the worst was still to come: terrifying powers that let her channel electricity and learn a person’s darkest secrets through a single touch. Leila is doomed to a life of solitude…until creatures of the night kidnap her, forcing her to reach out with a telepathic distress call to the world’s most infamous vampire…

He’s the Prince of Night…

Vlad Tepesh inspired the greatest vampire legend of all—but whatever you do, don’t call him Dracula. Vlad’s ability to control fire makes him one of the most feared vampires in existence, but his enemies have found a new weapon against him—a beautiful mortal with powers to match his own. When Vlad and Leila meet, however, passion ignites between them, threatening to consume them both. It will take everything that they are to stop an enemy intent on bringing them down in flames.

Add to Goodreads To-Read List →

This book is on sale at:

Amazon

 

 

 

Twice Tempted

Twice Tempted by Jeaniene Frost is the second book in the Night Prince series and is also $1.99 at Amazon. It follows the previous couple, Leila and Vlad. For a refresher, Vlad is a vampire and the Prince of Darkness, while Leila is a psychic with elemental affinities for fire and electricity.

Dating the Prince of Darkness has its challenges…

Leila’s psychic abilities have been failing her, and now she isn’t sure what the future holds. If that weren’t enough, her lover, Vlad, has been acting distant. Though Leila is a mere mortal, she’s also a modern woman who refuses to accept the cold shoulder treatment forever–especially from the darkly handsome vampire who still won’t admit that he loves her.

Like choosing between eternal love and a loveless eternity…

Soon circumstances send Leila back to the carnival circuit, where tragedy strikes. And when she finds herself in the crosshairs of a killer who may be closer than she realizes, Leila must decide who to trust– the fiery vampire who arouses her passions like no other or the tortured knight who longs to be more than a friend? With danger stalking her every step of the way, all it takes is one wrong move to damn her for eternity.

Add to Goodreads To-Read List →

This book is on sale at:

Amazon

 

 

 

Bound by Flames

Bound by Flames by Jeaniene Frost is $1.99 at Amazon! This is the third and most recent book in the Night Prince series. In this installment, Vlad discovers one of his long-time enemies isn’t quite dead, and has come back to stir up some trouble. Any members of the Bitchery have some thoughts on the series?

The climactic third novel in New York Times bestselling author Jeaniene Frost’s Night Prince series finds Vlad and his newly turned bride, Leila, at odds with each other—and vulnerable to the one vampire powerful enough to end the Dark Prince’s reign . . .

Play with fire, pay the price

Leila’s years on the carnie circuit were certainly an education. What she didn’t learn: how to be a vampire, or how to be married to the most famous vampire of them all. Adjusting to both has Leila teetering on a knife edge between passion and peril, and now the real danger is about to begin . . .

Vlad must battle with a centuries-old enemy whose reach stretches across continents and whose strength equals his own. It isn’t like Vlad to feel fear, but he does . . . for Leila, because his enemy knows she is Vlad’s greatest weakness. As friend and foe alike align against him—and his overprotectiveness drives Leila away—Vlad’s love for his new bride could be the very thing that dooms them both . . .

Add to Goodreads To-Read List →

This book is on sale at:

Amazon

 

 

 

The Vixen and the Vet by Katy Regnery

$
0
0

B

The Vixen and the Vet

by Katy Regnery
June 15, 2014 · Katharine Gilliam Regnery
Erotica/Erotic RomanceRomance

This RITA® Reader Challenge 2015 review was written by Erica. This story was nominated for the RITA® in the Long Contemporary category.

The summary:

In this modern-retelling of “Beauty and the Beast,” Savannah Carmichael, betrayed by an unreliable source, returns to her hometown of Danvers, Virginia with her once-promising journalism career in ruins. Given the opportunity to get back in the game by writing a patriotic human interest piece, Savannah turns her attention to the town hermit, Asher Lee, a wounded veteran who returned to Danvers eight years ago, and hasn’t been seen since.

After an IED explosion in Afghanistan took Asher’s hand and disfigured half of his face, he’s lived a quiet life on the outskirts of Danvers where the locals respect his privacy…that is, until Savannah Carmichael comes calling in a borrowed sundress with a plate of homemade brownies. When Asher agrees to be interviewed by Savannah, he starts feeling things for the beautiful reporter that he hasn’t felt in years.

Misfits in small-town Danvers, Savannah and Asher create a bond right away, touching each other’s hearts in ways neither thought possible. When a terrible mistake threatens to drive them apart, they’ll have to decide if the love they found in one another’s arms is strong enough to fight for their hard-won happily ever after.

Here is Erica's review:

Once upon a time, I was on Twitter and I was bubbly and slightly interesting and talked to all sorts of fantastic people. During that awesome time of Twitter joy, Katy Regnery and I bonded over the fact that the Toby Stephens of Jane Eyre is the BEST Jane Eyre movie version EVER. So, I was planning to really love her book, because clearly she has fantastic taste.

Have I established firmly enough the fact that I did not read book descriptions before picking titles to review? Because except for one book (Some Boys), I did not read any book descriptions. So, when I picked The Vixen and the Vet, I was under the impression that I was going to get a grumpy, taciturn, curmudgeon-y veterinarian, which is my personal catnip.

So, when I started the book, I was disappointed to find that the vet in question was, in fact, not a veterinarian, but a reclusive, severely damaged and disfigured war veteran. And I got turned off. Don’t get me wrong, as a wife of a combat veteran, I am super glad that people are talking about the difficulties for veterans, that PTSD is a thing that is acknowledged and discussed. But, in Romancelandia, it has become too commonplace, and it is sometimes treated really badly. Like, the last one I read, the heroine gave the hero a blowjob every time he had a flashback, and that healed him? There’s this assumption that the magical glittery hoo-ha of the heroine will magically heal all wounds and trauma and it pisses me off.

So I stalled. But then I realized that I was being ridiculous because I hadn’t even read the book yet, and already I was judging it because I was annoyed with other books. That’s not fair. So, I got back to reading.

I was all over the damn place with this book. I cried. I ranted. I wrote notes on this book while half-asleep and they are hilarious to read. I giggled. I sighed with yummy book happiness. And I cried some more. It’s a pretty obvious Beauty and the Beast retelling, one that references that it’s a Beauty and the Beast retelling several times. Asher’s housekeeper/caregiver is named Miss Potts, you guys. Miss Potts. And I’d rather not talk about how long it took me to figure that reference out and find it hilarious. There’s a line repeated a couple of times: Beauty and the Beast with The Star-Spangled Banner playing in the background. But in all honesty, it’s Beauty and the Beast and How to Lose a Guy in 10 Days – only really good.

There’s so much good. There’s all the talking. There’s the fact that Asher is not only a romance fan, but a CRUSIE FAN. Immediate crush for that, dude. His story is touching and sad and real in a way that breaks my heart. Savannah has some really great moments of depth and understanding and she comforts him in a way that made me get all weepy as I cheered for Savannah and Asher: the actual couple. Its gets heavy for a minute – trigger warning, there is an attempted sexual assault, and rape culture bullshit where no one really believes her – but when it’s resolved, it’s resolved in a way that is lovely and satisfying and final. And while I may be upset that that rat bastard isn’t rotting in a jail cell, I’m pretty happy with how it eventually ended up. (Oh my god, I want to talk about it so much. SO MUCH. Let’s just say, there are lot of capital letters and cheering and “Damn right, you jackass, that’s what you get!” in my review notes.) Savannah’s mom is the best. Miss Potts is even better.

This IS a good book, but there are some weird little problems here and there. The pacing in the beginning is really off. Like, they’re falling for each other and admitting it REALLY early. And while I love, love, love, LOOOOOOVE, LURRRRVE the fact that there is so much Asher and Savannah talking and bonding and communicating, it makes the epic clusterfuck of bad decisions that happens in the book painful. The Big Misunderstanding moment (which isn’t really from a Big Misunderstanding but from really bad decisions and an inability to listen when one’s feelings are hurt) is SO GODDAMN ANNOYING. Seriously, from like 30% on, I was yelling at her for being a dumb ass.

Then there’s the fact that Savannah was fired from her last job because she fell for her source, then published his version of events and was completely discredited because he was a lying asshole. The fact that she is falling for her subject now is frustrating beyond belief. Like, I get it, the lying asshole mistake had to happen so she could get to Asher, but I want to yell at her to realize her goddamn mistakes and stop being dumb. But that would mean no romance, but still…

The lack of swearing. Okay, like I said in my Jill Shalvis review, it’s not like I expect everyone to cuss like a sailor the way I do. I understand that there are adults out there who do not swear, and that’s cool, you do you. BUT. If you are not going to swear, then just don’t swear. These damned not-dirty almost-swears are the dumbest things ever and they just irritate me. “Golddarned.” GOLDDARNED. You are a goddamned grown ass woman, say what you want to say. And then there’s this attitude of – I don’t know how to explain it, but it’s like people are disapproving of the whole sex before marriage thing? Savannah stays over at Asher’s house a few times, and a lot of people are upset about it and I was just like, are we in the same century, here? It’s just weird and it kinda hurts my head.

There are some weird mistakes – like someone wasn’t proofreading close enough and some odd punctuation mistakes are around sometimes and it kinda threw me out of the story. Like, how can he wear sunglasses if he doesn’t have two ears? I mean, I’m sure there’s a way, but it wasn’t mentioned and I was concerned enough about it to totally put down the book and try to research it. But these kind of errors didn’t happen often enough to be seriously egregious.

I have problems with the whole “I can’t live without you” way of declaring love, especially when it wasn’t true. They both became better versions of themselves and were building new lives without the other one – the lives weren’t as good, but they were complete people. The idea that you’re not complete without a partner is problematic and frustrated the hell out of me.

But. BUT. I really did enjoy the hell out of this book. I really did. I loved Asher. I liked Savannah, I felt like she and I would be buddies. I was rooting for them together and I fully believe in this happily-ever-after (*cough* even though it happens too quickly *cough*), and I’m sure out there in this fictional world, they are together and doing good things. This was not a magic hoo-ha cures your PTSD story, and for that I am grateful. It may have been a magic hoo-ha inspires you to try to better yourself and work on your PTSD issues yourself, but that is a much better story. My grade? B+ for characters and for so much of what’s happening. B- for the goddamned obvious as hell Big Misunderstanding moment glaring at me throughout the whole book. So, a solid B average.

Now, if you’ll excuse me, I need to watch Boardwalk Empire, because I have a Richard Harrow to fall in love with.

Wanted by J. Kenner

$
0
0

C

Wanted

by J. Kenner
January 7, 2014 · Bantam
Erotica/Erotic RomanceRomance

This RITA® Reader Challenge 2015 review was written by LaraDiane. This story was nominated for the RITA® in the Erotic Romance category.

The summary:

He is everything I crave, all I desperately want—and he is everything I can’t have.
 
Evan Black embodies my every fantasy. He is brilliant, fierce, and devastatingly handsome. But he is also headstrong, dangerous, and burdened with secrets.

My family warned me to stay away, that I could never handle Evan’s dark dealings or scarred past. Maybe I should have listened. Maybe I should have run. But our desire is undeniable, and some temptations you just can’t fight.

And from the moment we touch—the passion between us consuming us both—I know that I will never be the same.

Here is LaraDiane's review:

I wanted to love J Kenner’s Wanted, I really did. Here are the reasons why:

  • It was my first foray into erotic fiction!
  • It was nominated for a RITA award!
  • It has 4 stars on Goodreads!
  • I was reviewing it for SBTB and wanted to gush (!) about how glorious it was, leave CAPS lock on and using an excess of exclamation marks!

Despite my good intentions, it was a struggle to get through the book. Usually I devour books in a matter of hours, but this was a book that if I didn’t have to review, I would have put down and left unfinished.

I am making the book sound terrible, when really it is average. The characters are fine and the dialogue is okay. It is like a suitor you describe as ‘nice’ or ‘sweet’. They are an okay human being but at no point do you feel compelled to put your face on his/her face and/or stalk them on Facebook.

The two protagonists are Angelina/Lina/Angie Raine and Evan Black. From the very first page, there is FIRE between the two. This is one of the difficulties I had though, as there was no subtlety. It was all instantaneous FIRE, FLAMING, RED HOT, etc. No slow burn. No build up. Nothing. It felt as though we’d joined the story halfway through.

Angelina has two main characteristics: She is trying to be the perfect politician’s daughter because she feels guilty about her sister’s death and she craves the rush of adrenaline that comes with shoplifting, etc. This second characteristic was rather forcefully driven home as often as possible. WE GET IT. Angelina wanted the rush, the risk, etc., but surely there has to be more to a person than just this?

The plot felt a little ‘colour by numbers’. The arc of both the characters and the plot didn’t really do much, it was more of a flatline, than a swooping curve that got the heart all stuttery and caught up. Despite this rather flat arc, the dialogue suggested that there was DRAMA ALL THE TIME, but really there wasn’t.

There was a potentially SUPER exciting moment near the end of the book, but it was over in two paragraphs. Throughout the book, all the challenges that our protaganists were presented with were overcome within a page or two.

After all of that moaning and groaning (!), there are some positive points. If you are looking for erotic fiction in which your heart does not beat faster with suspense or if you are looking for a comforting read in which the characters’ happiness faces no real threat, then this book might be for you. Ironically, a novel   in which the heroine craves excitement, left me feeling rather unexcited.

Movie Review: Ant-Man

$
0
0

I’m gonna be honest here, RedheadedGirl and I did not have high hopes for Ant-Man. Really? Another movie about a white dude? With ants? Even the trailers did not inspire us to enthusiasm. But, we are the minions of Marvel. We had better just admit it. If Marvel has a movie, we will see it, and surprise – we both kind of liked it!  Ant-Man’s biggest problem isn’t that it’s bad; it’s that the other Marvel movies are so damn good that it’s a little tepid by comparison.

SPOILERS BELOW.

Ant-Man is a the tale of Scott, played by Paul Rudd, who just got out of prison for a heroic hacking crime. He’s trying to go straight so that he can be reunited with his daughter, Cassie. But inventor Hank Pym, played by Michael Douglas, pulls him in for one last job. Hank needs Scott to help him and Hank’s daughter, Hope (Evangeline Lilly) to “break into a place and steal some shit” before it falls into evil hands. Luckily, Scott will have the help of the Ant Man suit, which allows him to become very, very small, and the help of a whole lot of ants.

Here are our thoughts:

RHG: So that was better than expected. I mean, expectations were so low that the only way to not meet them would be for Paul Rudd to come out, pee on something and that would be the entire movie, WITH NO POST-CREDITS SCENE. So… the bar was low, shall we say.

CarrieS: I agree – it wasn’t anything ground-breaking, but it was fun, especially that last third of the movie when things really kicked into gear. Honestly its biggest problem is that it’s a very standard origin story that follows all the standard beats, and that gets old. Training montage, learning to use the tech montage, bonding as a team…we’ve see that stuff, so it was perfectly OK but just tired. On the other hand I did love it that the movie turns out to be two origin stories when we thought we were following one.

RHG: I liked the origin-story-as-a-heist-movie. I LOVE HEIST MOVIES. And Paul Rudd is very charming. Everyone was having a lot of fun, and that’s always nice. I think the movie knew it was ridiculous (because really, it is a ridiculous superpower), and that allowed the tone to be a lot lighter. It was fun to watch.

CarrieS: One thing I admire about Marvel is the way they use sub-genres to present different stories and characters – so Captain America was a war movie, but Winter Soldier was a spy political thriller which made Captain America a fish-out-of water in a more subtle and interesting way than relying on jokes about how he doesn’t get pop culture. Using the heist movie format was clever because it sets up so many ways to use the ants and use the suit – and the hardest thing the movie has to sell is that being really small is a cool superpower. But of course it’s cool if you have to infiltrate a building and they did a great job with that.

I was NOT looking forward to two hours of ants because although I respect them scientifically I fucking hate ants.  HATE THEM. But I thought the ants were the best part – the way different species could do different things and the way Scott built rapport with them.

giphy

Some of the action sequences were sheer genius – the miniature city, the carpet forest – whoever came up with the Thomas the Tank Engine of Doom deserves a huge pay bonus. THOSE EYES. So much fun!

RHG: Oh, yeah, they played with the size thing really well. And Ant-ony! Scott wanting to name the ants was adorable. (“Do you know how many ants there are?”)

I was also prepared by the Marvel fandom to be completely pissed about the sexism issues- Janet being either not addressed or purely fridged just for Hank’s emotional journey (and I want to discuss that later), three named women, one of which never interacts with the others, and it seeming like Hank didn’t want Hope to have the suit because sexism, was exhausting. Sure, some of it subverted by the end, but still.  BUT STILL.

What did you think of Hope?

CarrieS: Actually I ended up not very pissed off. I am completely baffled by all the dudes in the movie, and THAT pisses me off. Why couldn’t one of Scott’s friends have been a woman? Why couldn’t some of the workers at Pym Industries, or some of the villains be female?  Even if they didn’t have any lines?  Where are all the women in this universe?  Also, what the hell happened to Judy Greer?  How did she suddenly become The Useless Mom in fucking everything?

Ah, but you asked about Hope. First of all, I was happy that they at least acknowledged that Janet was a founding member of the Avengers, and I suspect her story might not be done with. Secondly, I liked it that Hope’s competence was never in question. We, the audience, knew why she wasn’t wearing the suit long before Scott spelled it out for her, and it wasn’t related to her having lady bits. Then the stinger and the fact that Lilly has a multi-movie contract made me think that all along I was watched her origin story in addition to Scott’s and that made me happy.

Hope looks really pissed that's she's not the star of this movie.
I know, Hope. We’re all pissed that you aren’t the star of this movie.

This summer Mad Max Fury Road set a high bar for representation of women, and Jurassic World set a low bar. This movie was in the middle. If Lilly continues to be sidelines and the promise of the stinger is not fulfilled, then I’ll be really angry.

RHG: This has been a really good summer for women in movies so far (and still not parity, but I’ll take what strides I can get) with Mad Max, Spy, Pitch Perfect 2, Magic Mike XXL, and from all accounts Trainwreck. So, yeah, we got Peggy being the HBIC, but I want more.

It was pretty clear that they were setting up a possible return of Janet with the “well she’s not dead she’s just quantum” so I wonder: does this still count as a fridging? I think people have started throwing that term around a bit more liberally than is still warranted, and Janet’s seeming death was a result of her own choices and not because somebody decided she needed to die. So…. I don’t know, I’m reluctant to be in a world where we say “no tragic backstories with any unfortunate implications,” because what I want is a world where there are a myriad of options for characters of all genders, orientations, races, economic positions, etc. All those people deserve to have stories told, not just as Tragic Backstory.

CarrieS: Absolutely – and I feel like in this film, I personally won’t know how I feel about Hope in particular and possibly Janet until we have a few more films under our belt. There’s a promise implied in the movie that Hope will take a more prominent action role – and they’ve already established that of the group she’s the most generally competent in terms of life skills, business savvy, planning, fighting, and using a suit. If they don’t fill that promise, then she’ll be just another female character relegated to sidekick and DAMN that will piss me off.

I really don’t want a romance between her and Scott. Of course she checked out his abs, because heeyyyy abs, but other than that I felt like they had no romantic chemistry but did have a nice friendship vibe. Let them be buddies.

RHG: I have never actually seen Lilly have romantic chemistry with anyone.

CarrieS: WORD. I love Lilly with all my heart but please, please don’t make her try to have romance on screen. It’s not her gift.

heeyyy abs

RHG: I also really appreciated how they wove this narrative into the larger Marvel universe. From “Everything has gone to shit, what should we do?” “Call the Avengers.” “They’re busy, what’s your plan b?” to seeing Scott using his new fighting skills (which were super representative of how Hope taught him to fight, and you know how I like consistency in fight choreography) AGAINST THE FALCON WHICH I DID NOT KNOW WAS GOING TO BE IN THIS MOVIE and seeing our beloved Peggy again, that was well done.

Also Michael Peña’s exposition style was delightful. I know there are some people who have chosen to be annoyed by it but it worked.

CarrieS: Yeah, I loved the call-backs and the fighting moves (the look on Hope’s face when Scott does the leg trick was priceless). Also Peña’s exposition style was pretty much the way everyone in my family talks. We talk slower, but we ave our hands around more, and the content is the same.

I loved it that the movie had a lot of characters of color, whether in major roles (Bobby Cannavale, Michael Peña) and smaller ones (the upper-class black family with the pool and the bug zapper). I was uncomfortable about the fact that the minority characters were more apt to be broad comic relief, but they weren’t one-dimensional comic relief. Peña’s character likes fine art and wine, and he’s really good at what he does. Overall, it felt like a world that isn’t magically all white, and I loved that even if I was a little worried that some of the minority characters might be portrayed as clowns instead of well-rounded people.  Speaking of making a character well-rounded instead of just goofy, when Peña went back to save that guy he had knocked out my heart grew three sizes. I loved that. It said so much about the character and about Marvel’s devotion to the ideal of reducing collateral damage.

L - R, a black guy, a latino guy, and an Eastern European guy, because some  at Marvel finally realized these people exist
Scott’s crack team.

BTW, if you want to take kids, you should know that some animals die, there’s mild cursing (damn, shit, hell – no f-bombs), and comic-book style violence. My tween daughter adored it.

RHG: YES it was Marvel’s most diverse movie yet. It’s still not great, but it’s better. I know Marvel can be better, but that’s sort of Marvel’s operating theory- we can be better than we are.

(Also Batman Vs. Superman trailer, I see you and your “dozens killed” in the total and utter destruction of Metropolis. Bullshit, I say. BULL. SHIT. Marvel owns your ass in being concerned about collateral damage and always will.)  (I have feelings, sorry).

I feel like had this been a stand-alone movie, and not in the MCU, I would put it as a solid B. Not high art, but enjoyable. Put against the rest of the MCU, it’s about a C+ish.

CarrieS: I agree.

It was a pleasant place-holder between the rather heavy Age of Ultron and what will probably be a very heavy Civil War. It didn’t break any new ground, but it was a fun way to pass a couple of hours and the final action scenes were brilliant.  Love the “messed up dog” and its fate!  Also love the fact that the movie subverted the idea that the step-dad is a jerk, and made it clear that part of Scott’s maturing had to involve appreciating how much that guy had done and continued to do for Cassie (Scott’s kid). I think we could call it a B- as a way to come up with one grade, but against other Marvel it’s a C+.
There are two post-credits scenes. Stay until the very end of the credits!


Ant-Man is in theatres now, and you can find tickets (US) at Fandango and Moviefone.

Romance Readers’ Literary Tattoos

$
0
0

I love literary tattoos and can spend a LOT of time looking at the (now defunct) Contrariwise gallery of tattoos, the collections on Pinterest or Tumblr, or TattooLit. Too much time, probably.

Recently, though, Elyse got a truly gorgeous literary tattoo, and we shared it on Twitter and Instagram:

an open book with pages lifted, surrounded by splotches of pastel watercolor

 

Isn’t that beautiful? When we asked if any of you had literary tattoos, the answers were equally gorgeous.

Teri has a beautiful arm tattoo:

a black and white forearm tattoo of a series of books turning into books and flying away

 

Liz’s husband designed her tattoo, which represents the power of books. Liz said she gets asked about it sometimes, that people think it looks like she advocates book burning, but I think it’s pretty cool:

A small tattoo of a book open with flames coming from the spine

 

Bailey has twoRaw Shark Texts and a phrase in white ink from The Library at Night in Latin, “books have their own fates:”

a white ink text tattoo running up her forearm

Mandy got herself a beautiful tattoo to celebrate her first book deal:

black script that reads Once Upon a Time

And so did Brighton!

A typewriter with word and birds flying off the paper that reads The words of my heart bleed onto the page and give my soul the wings to fly

Author Alyssa Day recently got this tattoo, designed by her daughter: “I’ve been wanting a tattoo that incorporated the symbols from my books for a while, but something always came up and I put it off. But when I heard about the semicolon campaign to raise awareness about mental health and fighting suicide, I knew it was personal to me. I’ve been open about my own battle with depression, in the hopes that I can encourage others to seek help.

“And my daughter, an artist, designed a beautiful fairy around the semicolon for me, because not only should our stories (and lives!) go on, but we should have hope that they can be beautiful. Definitely the perfect first tattoo for me!”

a fairy in black with a semicolon for a head and body with purple and blue wings and a shirt made of black teardrops

Karen has two breathtaking literary tattoos, which were inked by Jessica McDermott at Illuminati Tattoo in Santa Cruz. The first is a modified quote from Rumi:

a colorful stack of books that has words on the spines that read You are the lgiht of my heart the comfort of my soul but you are such troublemakers

And the second is from Dan Santat’s book The Adventures of Beekle: The Unimaginary Friend

flowers and honeycomb with the words And the world began to feel a little less strange

Alyssa has a tattoo of an illustration from Shel Silverstein’s Where the Sidewalk Ends:

Two line drawn figures hugging from Shel Silverstein's Hug o War poem

Amanda has a tattoo inspired by her favorite book, Beauty:

a yellow bird perched on a stack of books with roses and the word Beauty

Wow! Thank you to everyone who shared their art and gave permission for me to post it here.

I’ve been trying to think of a tattoo that incorporates romance novels, but haven’t found the right combination of images and words, so I love to see how other people have been inspired to add words and images to their own bodies.

What about you? Do you have a literary tattoo that you love? Or a tattoo inspired by a romance? We’d love to hear about it – or see it! If you can’t post an image, feel free to email one to me.

Poldark: Episode 5

$
0
0

Aiden Turner as Poldark - windswept hair, open collared shirt above high buttoned vest, the worksPreviously: D settles into her new married life and is now pregnant. Ross admitted he loved her, they struck copper, everything it JUST GREAT

In the mine, miners mine, tap tap tap. It looks like the worst job ever, honestly. A man rides towards Wheal Leisure, and it’s a buddy of Ross’ from the war, Dr. Enys, aka the guy that fixed Ross’ face. He’s there to study diseases of the miners. Ross takes Enys to meet a VERY pregnant Demelza.

Later, Ross and D walk to a traveling stage show. Everyone is there, including Francis and Elizabeth and Verity. Francis glums that Ross and D are “the picture of conjugal bliss” and that it won’t last (which says rather more about Francis and Elizabeth). Elizabeth and Verity walk with D, being friendly- Elizabeth says that D looks well, and D does not feel it: “a month to go and I’m already fatter than Prudie.”

Elsewhere in the crowd, the doctor that treated dead Uncle Charles is intoning about purges and how they’re just the best thing for pretty much everything. “Healing is a science, few comprehend it’s mysteries.” Enys tries to break in with the idea that not everyone can afford expensive treatments, so maybe it would be better to work with nature’s remedies sometimes? The doctor stalks off, affronted.

Ross asks Francis how Grambler is going. “Mortgaged to the hilt.” Anyone who’s played Monopoly knows how that will go. “Running out of ore, price of copper tumbling…”

An actress eyes one of the miners- Mark- while he beats someone at arm wrestling. She delivers a monologue about the object of her affection being above her. During this, D grimaces, and tells Ross that it’s just an ache, and she’ll go stretch her legs. At Nampara, D is clearly in actual labor, and Verity is distressed to see her in so much pain. D’s like, I hate to see YOU in pain, but the remedy to your pain lives not far away and captains a ship. Verity is not amused by this turn, and D’s like look, I need something to distract myself from the fact that I’m about to pop out a kid, so you take what I’m dishing out.

Back at the play, the actress is delivering the closing monologue, and the dude she was eyeing is the first to stand up. Ross sidles over to him and asks if they may expect an announcement, and Ennis girns, “You may have an announcement of your own soon!” It takes Ross a few to catch up with what he’s saying, and he rides home at speed as D writhes and screams in labor (also crashing waves).

It’s a baby! “How did we make something so perfect?” “I am afeared, Ross, that I love her too much.” Ross promises that he’ll make the world a better place for her sake, and be a better man for her. Hey now, D says. What about for me? “I’m already a better man for your sake.” D’awwww.

Ross holds the baby on the cliff, and it’s adorable.

At Trenwith, Elizabeth is reading when Francis brings the letter that announces that Ross and D have a girl. “I wish them well,” Elizabeth says, “because she may find all of this messy and difficult.” She’s trying. The next day, D is embroidering a small ribbon with the baby’s name- Julia- when Elizabeth comes to call. Ross is gone, and the baby is asleep, but… “It’s you I came to see,” Elizabeth says. D can’t quite believe it, but offers refreshment. Elizabeth compliments the ribbon, “It’s just a fancy I had…it’s not made of gold, or silver…or copper…” Yeah, but it’s from her mama, it’s made of something more precious. “It’s a love that surpases all other loves, is it not?”

D isn’t sure that Ross would care to hear that, and Elizabeth knows Francis would not, but men don’t get it. Elizabeth really needs a good friend. She and D are friendly, but there’s so much awkwardness between them.

Julia Grace Poldark is baptized with the ribbon tied around her wrist. She’s a very cute baby (but not as cute as my nephew who is the CUTEST BABY.) (I just need to make sure everyone knows that.) At Nampara, the guests of all classes are there congratulating Ross and D, and D is fretting with Verity that she wanted two christenings- “one for his sort and one for mine.” “And where do I fit in?” asks Verity, pointedly. “Oh, you’re like Ross. You fit in everywhere.” Ruth and her hen-pecked husband strut in, and snark about the riff-raff in the house, but OBVIOUSLY Ross has been “obliged to lower his standards..” D’s like, see. SEE.

Ross and Francis drink, and Francis is still telling Ross that a child changes everything, and there won’t be much sleep. And Ross is like children and mines cannot be ignored. “Much as one tries” says Francis and yeah, it’s totally great that he inherited a mine. D goes to talk to Elizabeth. “My wife is perfection, is she not? God knows what I’ve done to deserve her.” Francis walks away, leaving Ross to contemplate D and Elizabeth.

Verity joins him. “The curse of the Poldarks. Once given, our hearts are not easily withdrawn. They’re very different.” “Yes, each has something the other lacks.” Verity jokes that perhaps Ross would like them both. “Perhaps I would.” Verity and I give him identical looks of “what the fuck just fell out of your mouth?”

Outside, Enys tells Ross that he does envy Ross’ life- “my charmed life?” Ross asks sarcastically. House, home, occupation, wife that adores you and adorable baby? Yeah, you don’t have it so bad. Before Ross can make a cases for his (legitimately) stressful life, one of his partners comes over and announces that Choate sold his shares in Wheal Leisure. To George Warleggan. Shit. George slimes in, and Ross snarks that clearly George knows a good investment when he sees it. George slimes off.

Ross asks about the other investors. Some are worried. “Then we must buy them out.” “How?” “…no idea.”

In the kitchen, D is just post-feeding (Or it’s implied that she is), when Verity comes in. D says that she wishes Verity could have all this, too. Verity tries to say “don’t worry about it” but D DOES worry about it. Bigger worries are on their way up the walk, though, as Prudie spies D’s father and dour looking woman dressed in black. Family, man.

Ross greets Mr. Carne with courtesy but wariness, while Ennis and Hardcastle watch interestedly. “I’m glad you were able to join us.” In the house, Carne calls the house a place of filth and an abomination, and calls shame on D’s head for “…mix[ing] with such damnable folk, when your own flesh and blood should take precedence.” Well, with that speech, no wonder she doesn’t want to deal with you. Ross smoothly begins introductions, beginning with the baby. (D looks like she might be sick.)

Ross introduces Carne to Francis, John and Ruth, and Enys. Carne immediately tells Ruth to cover her boobs, as it is her duty to be modest, not “laying out wares.” Francis takes a drink like this is the most entertaining thing he’s seen in months. Ruth tells John to call out the “impudent swine” and Ross is like you are all guests here, so no brawling please. Or dueling, that was three episodes ago. Ross apologizes for Carne, and Ruth accepts it in true passive aggressive fashion. I’m a little proud, actually.

As Carne and his wife leave, the actress comes striding across the field. Ross is standing with the dude she was making eyes at, and it seems the players had moved on, but she stayed. “She did tell me she’d come back, but I didn’t think she would.” Turns out her name is Keren.

In the kitchen, Ross announces that they’ve gone, and everyone is all “GOD FINALLY” and D wonders why they knew to come. Oh, Ross invited them, of course. Idiot. “They meant to shame and disgrace me.” The boys says that in a week it will be forgotten, but the women know better.

Mark and Keren sit on a wall and discuss love- he scarely could eat with how much he missed her. “I can’t stay here long.” She might not return. But why not? “well what’s to keep me here?”

Turns out she wants a house, and she’ll stay, if they marry and he has a house for her. D’s like this shit seems shady, does she love him? “She says so.” Verity asks if Mark loves her. “Besotted” smiles Ross. “They should marry…love should conquer all, even if it needs a ltttle help.” “On the contrary” Ross responds, “some obstacles cannot be overcome.” Verity walks away sadly. Turd.

At Trenwith, Elizabeth and Francis regard the portrait of dead uncle Charles. He would have enjoyed the day, they agree. “Great patriarch and leader of men.” “Is that to be disdained?” Elizabeth asks. “To be lived up to” sighs Francis. “Can you not?” Francis pouts off. “it was a question, not a judgment.”

On the cliffs, Verity watches the waves and looks at the sketch of a sailing ship and the rigging she and Blamey did at the assembly. Once home, she goes into the parlor where Elizabeth is reading to her baby, and Francis announces that he must go into town. Elizabeth knows it isn’t for business.

At Nampara, Ross is riding out to hunt up new investors, and will be out as long as it takes. D watches him leave, and she and Jud leave the house on a secret errand that Ross must not know about. “We must be back by 5 or Julia will suffer.” That’s enough to keep Jud on the right side.

On the road to town, Ross gives money to a starving family, and once in town, he eats with Enys in the public room of the tavern, who asks if Ross had heard of the riots in another town. “People can only starve for so long.” “In France they make their point with hatches and pikes.” Ross expects that things may go to shit there soon- the price of copper has fallen, and he isn’t sure when Grambler last paid full wages. “What’s to be done?” “Sit tight and wait for the price to rise.” That always works.

In a boarding house in a coastal town, D waits in a sitting room, anxious.

Back at the tavern, Ross says that all the mines are committed to the short term- mines need to sell cheap to make loan repayments, and can’t afford to not sell unless the price rises. (A man in the next table listens to them with ill-disguised interest.) “Of course if the smelting companies were honestly run…” “Are they not?” Enys asks with perfect amount of if disinterested interest. “It’s a ring. They don’t bid against each other and keep the prices low.” Ross says that the only thing that might work is if the mines band together and form their OWN smelting company. Well, that is interesting. The eves dropper is like I couldn’t help but overhear… (whatever dude you about sprained something to make sure you caught all of that) “but you intend to form your own company?” “I intend nothing, sir.” Ross is just talking here!

D paces the room, and then Blamey walks in! He’s confused. “My name is Poldark.” D tells him, and his face goes through this very subtle “Poldarks have been a thorn in my ass for way too fucking long” before he asks if Verity sent her. No, Verity doesn’t know she’s there. Blamey claims that he’s moved on. He’s married to his ship and his profession. “I NEVER THINK OF HER NOW” (lies) “I’m sorry you’ve had a wasted journey.” D curtseys and leaves.

Ross asks his banker’s advice- if Ross needs the money to buy out the other shaky investors, he needs to get a mortgage on Nampara. Given that he’s got people who depend on him, his banker doesn’t suggest that course of action. Ross sighs.

At home, D is snuggling the baby, and brightly asks if Ross had a good day. “Frustrating day.” He kisses her hello. Ross worries that D might feel too confined, and before that conversation can go much further, Jud announces that Mark is asking for Ross. “It seems to be catching” Ross smiles. “What?” “Recklessness.”

Mark and the other boys are working on fixing up one of Ross’ cottages. She’s a fortunate girl to get such a house, but is Mark really set on this girl? Mark calls her his heart’s desire. Ross hopes that she deserves Mark, and take off his gloves to help.

The wedding procession with Keren in teal marches to the house, and D mutters to Ross that “they don’t like her.” Well, they like Mark they’ll grow to like her, she’s a stranger. D points out that she (Demelza) is a stranger to Ross’ miners. “They like ME, they make allowances for you.”

Keren sees the cottage and is like “what the fuck, Mark, I asked for a HOUSE what the fuck is this?” Woman, it’s got levels and windows and garlands. “We’ll soon make it fit, Keren, it’ll be a place, you’ll see.” Keren is dubious.

As people dance, Ross tells Enys that he’s found lodgings for him- he’s going to be in a nearby cottage. Keren dances over and wants to know how her cute new neighbor is going to be. She’ll introduce herself, if he dances with her. So that’ll go well. Even Ross can see impending doom. Mark comes over and asks Ross if he might get extra work in the mine, but it all depends on how the auction goes in the morning.

Ross tells D the idea to mortgage the house to buy out the investors. She’s listening, and he expresses the idea that she must regret her marriage to such a destitute rogue. She’s like “must I? Have you raised me so high that I could never be okay with being poor? Shut up.” He laughs, that women are all different (WHAAAAAT) and that some are never satisfied, and some thumb their nose at adversity and roll up their sleeves. “Do you wish you married a rich lady?” “I am quite aware of my good fortune.”

In the morning at Trenwith, Elizabeth uses baby Geoffrey to ask Francis how much copper was sent to auction. “Shall we ask Papa how many parcels we sent? I hope we get a good price!” Francis is dismissive as always- “we shan’t get a good price, and soon we’ll have to start pawning the family jewels.” Elizabeth drops the pretense of just talking to the baby. What a dick. Elizabeth could manage that mine just fine on her own.

At the auction, things go very very VERY badly. Ross and Francis wait with stoney faces, and leave saying that it was disastrous and a disgrace. “We’ll soon be paying them to take it off our hands.” Francis opines that Ross has become dour in his father hood, and offers an invitation to George Warleggan’s house party as a remedy (“the ultimate house party”). Yeah, that’s a great idea.

The dude who eavesdropped on Ross and Enys’ conversation about the hypothetical miner’s collective invites Ross and Francis over to a conversation.

D gets a letter, and tells Prudie that she’s going to walk out with the baby to meet Ross.

They want to make this company happen, because no one can afford to keep going on as they do. They stress the need for total secrecy. Francis is dubious about the amount of shit people are willing take on- the Warleggans are going to back the current smelters. It needs to be everyone. “It was your cousin that first suggested it.” Francis is flabbergasted. “We can’t go as we are.” Francis says his finances are “somewhat complicated” and can’t help them. He wishes them well, though. They want to do this thing, but somebody needs to run it- that somebody should be Ross.

D is walking with Julia in a baby sling, with her little naked legs dangling. She’s received the invite to George Warleggan’s houseparty, “just think of that, my little lamb! You’re mother’s a lady and father a gentleman with a name that goes back hundreds of years.” Blamey surprises her, and begs to speak to her. He was unmannerly, and begs her forgiveness. Since her visit, he’s been in turmoil- turns out that he’s not actually over Verity at all. He wonders if there might be hope, what with Charles being dead. “May I see her? How? When?” Whoa there, cowboy. D’s like look, I didn’t really have a plan with this nonsense, and Ross can’t see him. “Is he against me too?” “He’s against me stirring things up.” But she’ll send word to Blamey if she can arrange something.

D meets Ross riding home, and he asks if she’s excitable for some reason. She tells him that she’s excited about the house party. “I’ll show them that I can wear fine clothes and be genteel” and she’ll make up for the disaster of a christening. Ross tells her that it won’t be that kind of party, it’ll just be gaming. D: “Oh.” “Don’t look so sorry for yourself.” He’ll go, though, to throw George off the scent of the new venture and to keep Francis from being Francis. Good luck with that. (Through this scene, D is playing with the baby’s feet and it’s so cute.)

At her desk, D looks at the invitation, then pulls out a piece of paper and a quill, and carefully writes “Dear Captain Blamey.” In the morning, D has her cloak on, and Ross asks if she’s going somewhere. “Mmm. Town. URGENT business. I must have a new cloak and Verity MUST help me choose.” Ross is like oh, the problems of women. “Don’t delay me, I’ve got a houseparty to attend!”

In town, Francis places a necklace around the neck of his prostitute. She’s pleased. “You spoil me.” She likes being appreciated. “Who doesn’t?” The prostitute asks if Elizabeth doesn’t appreciate him. No, Elizabeth’s sin is that she wants him to be a better man. Francis does what he wants, dammit! He will never be that man.

At Trenwith, D hunts down Verity, while Ross waits. Elizabeth finds him, and he asks if she’s joining this urgent trip. “Because dressing is the only thing that matters to women?” “Not at all!” “They are of course, but I hesitate to buy ribbon when our copper can scarce be given away.” Also she knows where her money goes- Francis spends it on himself and his woman, not her or the workers. “They are scare entertained.” Ross wishes he could help, but… she knows there’s nothing for it.

On the road, Ross, Verity, and D pass another group of poor, starving…. The only word that describes them is refugees. They look at our trio with barely disguised rage. Verity asks D if she was not afraid, “the look in their eyes!”, and D says she’s seen such looks- at home, when there was no corn. “Empty bellies make for such looks.”

At George’s, Ross chats with Enys, and asks how it’s possible for the Warleggans to leap from being butchers to having an insane amount of money in two generations (a timely question). Enys agrees, especially during a slump, and when men like Ross and Francis are forced into genteel poverty. “We have different ways of doing business.” Francis is at a card table with an unknown man, and Ross sidles over to the prostitute (who is there, of course, wearing the necklace Francis gave her) to ask who he is. He’s basically a professional card player, of course.

He’s infamous, and has George’s endorsement to fleece anyone under his roof. He is not, however, generous. Ross eyes the necklace as she fondles it. “Was not that collar a gift of his him?” No, the giver was “a man of taste.” Ross side-eyes her and Francis.

In the dressmakers, D is looking over fabric, and Verity tries to beg off, but D makes her stay to help her choose. The Door opens, and Blamey enters. “Miss Verity?” Verity turns around and goes pale.

Back at the Ultimate House Party (which seems super tame, to be quite honest), George wanders over to Enys, and talks about boredom. Not something Enys is familiar with. George tells Enys that he’ll have ample opportunity to study it, and Enys is like no, most the people I treat don’t “suffer from that affliction.” George literally has no idea what he’s talking about.

Ross watches Francis fretfully play cards and drink heavily, and the prostitute tells Ross that it’s a pity Francis doesn’t have his skill with cards. He’ll ruin himself soon, and then “you’ll be done with him?” “As his wife is done with him.” The lies men tell to women (and to themselves) to get sex and sympathy.

Blamey says that he had never dared hope, but- Verity stops him to introduce Demelza. Blamey gamely tries again, to ask Verity to coffee or a cordial, but she says no good can come if it, and runs out. Demelza looks apologetically at Blamey, and runs out after Verity. Poor Blamey.

At the Warleggans, Francis continues to play, and Ross finally asks what the stakes are. “You wouldn’t wish to know.” Oh, I think he does. “You’ll find out soon enough.” Francis is near tears. The Card Shark gets a message, and excuses himself. It was a pleasure. Francis can barely stand, but won’t take Ross’ help.

In Truro, D chases after Verity, asking if it would have been so bad to hear him out. Verity really thinks it would have, but before she can elaborate, a riot of miners come running down the street, angry. The girls clutch each other as the wave of anger and desperation breaks around them. A hand grabs them.

Ross prepares to leave the Ultimate House Party, and George slimes that he takes no pleasure in Francis’ ruin. Ross is like whatever, dude. “It’s not my business to bankrupt a friend.” So you get someone else to do it.

The hand belonged to Blamey, and he hustles the ladies to a sheltering stairwell, and begs again for Verity to hear him out. NOT THE TIME OR PLACE DUDE. Verity runs. Blamey runs after her, and finds her hiding behind a hay cart. She tells him that she can’t bear it over again. The parting and the heartache! “No, not the heartache! Never the parting!” He promises he won’t be driven away from her. D finally drags them both away as the miners grab food bags of grain.

At Trenwith, Elizabeth is with Geoffrey at a window, where there’s a butterfly. They let the butterfly  out the window, and Francis is riding up the drive. He looks like a beaten man.

“I don’t imagine we’ve seen the last of the unrest” Ross says in his kitchen as D cuddles Julia. “I wonder how Verity and I missed it” D asks, all innocence. Ross says that Verity seemed to be in high spirits, and D’s like she deserve it. Ross says that Verity should enjoy it while she can. Her life is about to make a major change “and not for the better.”

At Trenwith, Verity tries to casually breeze in, saying there was just so crowded in Truro, and there was talk of riot? Francis dours that there will be a riot closer to home. Aunt Agatha crabs that the mine opened 200 years ago, and Elizabeth chimes in with, “not that long ago it was yielding thousands!” Verity’s like, what are you people on? Elizabeth offers Francis the chance to tell Verity, and he’s all no no, you go. Coward. “For months now, you know Grambler has been failing-“ “You mean Francis has been failing.” This is not about your man-pain, Francis. They couldn’t afford the repayments on the loans, since Francis was spending all the money on gambling and whores, so he decided to stake the mine in the card game. He lost.

“What does this mean?” D asks. “For Francis, loss of income. Loss of pride. Loss of family inheritance. For Verity and Elizabeth, a sharp decline in their standard of living. For the Warleggans, a chance to tighten their hold by closing a rival mine. For the poor souls that work there, unimaginable hardship. All because one man was weak and others were greedy.” D: “To think that I once envied Elizabeth?” Ross: “Why?” D: “Why did you envy Francis?” Touche.

Elizabeth walks out the front door to Trenwith, head high, Francis behind her. “There’s no need for you to come!” Elizabeth turns and just stares at him. “What I did was unforgivable. But my love for you, my love will always…” she just looks at him, and turns back to the road. Verity follows, and gives Francis what is for Verity a look of extreme censure.

At the mine, Francis gives a speech- this has been a Poldark mine for generations, and it was his hope that his son would inherit, but time and circumstance has ruined that. Maybe in the future they’ll meet again, but for now…. He rings the bell, marking the end of the last shift, and with a bit of chalk, writes “Resurgam” on the bell supports. He walks away, and after a beat, Verity follows. Elizabeth following later. Ross and D watch her go, then Ross looks at D, and she gives the barest, tiniest nod at him. Ross goes after Elizabeth. “What can I do?” Elizabeth stiff-upper-lips it: “Not once has Francis asked me that question.” “He’s afraid to.” Ross excuses Francis by saying that sure this was not his intention. “Yet this is how it is. We shall weather it, make economies, there are many worse off than we. But Francis feels sorry for himself. I will not do so.” Elizabeth nods at D, who has come up behind Ross, and strides off, dignity intact.

Mark and Keren are with the crowd leaving Grambler, and Keren smirks at Ross. “He’ll need to watch his step.” D’s like, dude, he’s young, handsome, and free. “Do you envy him?” “Sometimes.” Ross gets serious: “The world is a harder place now, thanks to Julia. The stakes are higher, the losses are greater.” He would not change places with Mark or anything.

“What does it mean, ‘Resurgam’?” We shall rise again. “Will we?” Yes. We will.

RHG:

Carrie’s theory was that after last week, everything would go to shit and people would make bad choices and ruin their lives. Not everyone did, just one man, and he’s taking multiple other people down with him. Verity, there’s a life raft for you in the form of Blamey, so you at least have a choice.

Ross’ plan for getting people all into the idea of a miner’s collective was brilliant. Let someone else do the talking, then pull a Jeff Winger and reluctantly accept leadership when it is thrust upon him.

Oh, Francis, what can I say? You’re going to destroy your family, and all the people who depend on you for a job and a livelihood just to prove that you don’t have to do what daddy says? Fuck you. FUCK YOU. We live in a society where people are inter-dependent on each other, and this is not about YOU, you fucking turd.

 

 

A Mix of Sweet Contemporary on Sale

$
0
0

Christmas in July

Christmas in July by Debbie Mason is $1.99 right now. This is book 2 in the Christmas, Colorado, series. This contemporary has a 3.8-star average, and features a post-combat hero with amnesia and the family he doesn’t remember.

Grace Flaherty had given up hope of ever seeing her husband again. After all, it’d been over a year since he went missing in combat. So when he strides through the door of her bakery in downtown Christmas one sunny afternoon, she can hardly believe her eyes. But her happily-ever-after is going to take some effort – because Jack has no memory of his family.

All Jack Flaherty remembers about Christmas is that he couldn’t wait to leave town. Now he’s a local hero with a wife and son he doesn’t know. Even as he struggles to rekindle the romance with his wife, he knows in his heart what he wants: a second chance at love.

Add to Goodreads To-Read List →

This book is on sale at:

Amazon Barnes & Noble Kobo Google Play All Romance iBooks

 

 

 

Sugar on Top

Sugar on Top by Marina Adair is $1.99 right now. This is book 2 in the Sugar, Georgia, series, and it has a 4+ star average. Readers who liked this one – and there are many – really liked the heroine, who has been living with a bad reputation in a small town after some big mistakes when she was younger. Plus, several reviews mention that the dialogue is very funny. Have you read this one?

She’s sassy and sweet

The last thing Glory Mann wants is to become chairman of the Miss Peach Pageant in Sugar, Georgia. Spending months hearing nothing but the clinking of pearls and judgment? No thank you! But when Glory is forced to take the rap for a scandal she didn’t commit, the judge sentences her to head the committee. Even worse, her co-chairman is rugged, ripped . . . and barely knows she’s alive.

He’s ready and willing

Single dad Cal McGraw can’t take any more drama in his life. After a difficult divorce, his little girl became a boy-crazy teenager and his hands are full. The last thing he needs is to spend his down time with the town bad girl. Glory is pure trouble-tempting and tantalizing trouble. But he can’t deny the strong chemistry between them-or how her touch turns him inside out. Now as squabbles threaten to blow up the contest and the town of Sugar itself, Cal must risk everything on the sexy wild card to get a second chance at love . . .

Add to Goodreads To-Read List →

This book is on sale at:

Amazon Barnes & Noble Kobo Google Play All Romance iBooks

 

 

 

Blitzing Emily

Blitzing Emily by Julie Brannagh is $1.99. This is the first book in her Love and Football series, and is a contemporary romance between an NFL player and an opera singer, with a pretend engagement started by a concussion. As you do. This book has a 3.8-star rating, and readers who liked it thought it was very sweet and very funny.

All’s fair in Love and Football…

Emily Hamilton doesn’t trust men. She’s much more comfortable playing the romantic lead in front of a packed house onstage than in her own life. So when NFL star and alluring ladies’ man Brandon McKenna acts as her personal white knight, she has no illusions that he’ll stick around. However, a misunderstanding with the press throws them together in a fake engagement that yields unexpected (and breathtaking) benefits.

Every time Brandon calls her “Sugar,” Emily almost believes he’s playing for keeps—not just to score. Can she let down her defenses and get her own happily ever after?

Add to Goodreads To-Read List →

This book is on sale at:

Amazon Barnes & Noble Kobo Google Play All Romance iBooks

 

 

 

Only with You

Only With You by Lauren Layne is $2.99 – but that may be the regular price, (if so, I apologize). This is a sweet contemporary romance featuring a wealthy hero who mistakes a woman for a hooker in Vegas, then has to figure out how to work with her once they’re back home, because she’s his new employee. Readers who liked it say it has a lot of humor, and the characters are pretty fun to read about. It has a 3.8-star average.

Cocktail waitress Sophie Dalton doesn’t exactly have a life plan. She’s perfectly happy being everyone’s favorite party girl. But when a Las Vegas bachelorette party goes awry and an uptight businessman mistakes Sophie for a prostitute . . . well, Sophie wonders if it’s time to reevaluate her priorities. Swearing off her thigh-high boots for good, Sophie slinks back home with damaged pride-and a jackpot of a hangover.

Yet what happens in Vegas doesn’t always stay there. On a trip to Seattle to open a new office, Grayson Wyatt meets his latest employee-who turns out to be the same woman he recently called a hooker. Wealthy and gorgeous, Gray is a man used to getting what he wants. And it doesn’t take long to figure out that smart, sassy, sexy Sophie is everything he’s been looking for. As their late nights at the office turn into hot morning-afters, they realize their Vegas misunderstanding may lead to the real thing . . .

Add to Goodreads To-Read List →

This book is on sale at:

Amazon Barnes & Noble Kobo Google Play All Romance iBooks

 

 

 


Reminder: Q&A with Nalini Singh at East Brunswick NJ Barnes & Noble!

$
0
0

Book Shards of Hope

Tonight at 7pm ET, I’ll be grilling Nalini Singh with difficult questions about math and science (and Psy-changlings) at the Barnes & Noble in East Brunswick, NJ. You can find all the details on the events page!

But! If you can’t make it, is there a question you’d like me to ask Nalini on your behalf? I’m happy to include your esoteric questions, or those weird ones that talk about trains leaving opposite stations. (Kidding – I dislike those immensely.)

Please feel free to leave your queston in the comments! And if you’re attending, I am so looking forward to it, and will see you this evening!

Concealed in Death by J.D. Robb

$
0
0

A

Concealed in Death

by J.D. Robb
February 18, 2014 · Berkley
Contemporary RomanceRomance

This RITA® Reader Challenge 2015 review was written by Goodreads. This story was nominated for the RITA® in the Romantic Suspense category.

The summary:

In a decrepit, long-empty New York building, Lieutenant Eve Dallas’s husband begins the demolition process by swinging a sledgehammer into a wall. When the dust clears, there are two skeletons wrapped in plastic behind it. He summons his wife immediately—and by the time she’s done with the crime scene, there are twelve murders to be solved.

The place once housed a makeshift shelter for troubled teenagers, back in the mid-2040s, and Eve tracks down the people who ran it. Between their recollections and the work of the force’s new forensic anthropologist, Eve begins to put names and faces to the remains. They are all young girls. A tattooed tough girl who dealt in illegal drugs. The runaway daughter of a pair of well-to-do doctors. They all had their stories. And they all lost their chance for a better life.

Then Eve discovers a connection between the victims and someone she knows. And she grows even more determined to reveal the secrets of the place that was called The Sanctuary—and the evil concealed in one human heart.

Here is Goodreads's review:

I didn’t receive a RITA® Reader Challenge 2015 review for this book, so I’m compiling quotes from reviews online and using the grade average from Goodreads as a substitute.

This book has a 4.2 average, which I’m interpreting as an A.

And here are the review quotes, linked to the original sources:

Jonetta wrote:

This story started off interesting and I nestled in for what I thought would be an intriguing case. It didn’t take long for me to deduce the circumstances and who was probably behind the murders and why. Unfortunately, the procedurals from that point forward weren’t that interesting or compelling. I struggled to get through to the end of the case.

The highlights of the book, however, came from the personal aspects of the story. Mavis plays an extraordinary role, one that reveals more about her past and circumstances. After 47 books, this was pretty riveting. Eve also is continuing to experience the impact of having a family, what it means, looks and feels like. She’s changing, evolving and we see some of that in how she relates to some of the people she has to interview in the case. It’s appropriate and finely pitched…some may say her voice is different and I concur with that and say but of course! There was also a new character introduced, Garnet DeWinter, and I foresee some bumps in the road between her and Dallas. Bring it!

While this was just an average reading experience for me, it still was an interesting one for all the reasons highlighted. It was worth it just to revisit some of my favorite characters and getting more Mavis was an unexpected surprise. However, if you read these stories primarily for the mystery/suspense, you might find it underwhelming.

Elvan wrote:

Twenty years into the series, JD Robb introduces a completely new and large personality, a forensic pathologist named Garnet deWinter. With her and a great reconstruction artist, Eve eventually solves the case. New conflicts and a new foil for Eve’s caustic personality are born. We the readers get to sit back and enjoy the show.

The murder(s) and case resolution make this book a solid 4 star read. What elevates this In Death edition to 5 stars for this reader is JD Robb’s understanding of roles. Her forensic pathologist aids and assists the investigation. She does not fight the bad guys. She does not run off and try to interview potential witnesses. SHE STAYS IN HER LAB.

She lets Eve solve the crime because THAT IS HER JOB.

Trisha wrote:

I adore Eve and Roarke. Some of the books in this series are kick ass crime novels, some of the books in this series are relationship adult romance novels, some of the books in this series are future urban fantasy novels, and some of the books in this series are gut wrenching stories that carve you up and change you.

Concealed in Death was a solid crime story that kept me guessing and trying to figure out the who and why and how and when and I liked how the process moved through the investigation and how Eve as a character puzzled through the possibilities – it keeps showing that she is not “super cop” but a good cop who investigates and follows logical evidence.

Concealed in Death was a nice solid relationship fiction novel – Eve and Roarke continue to always work on their relationship because it matters, they matter, and it is refreshing and honest to read it and follow it – it makes it so real feeling.

Slow Tango with a Prince by Nicole Burnham

$
0
0

A-

Slow Tango With a Prince

by Nicole Burnham
June 5, 2014 · Nicole Burnham
Historical: EuropeanRomance

This RITA® Reader Challenge 2015 review was written by Goodreads. This story was nominated for the RITA® in the Long Contemporary category.

The summary:

Public figures, private anguish…and devastating secrets.

Tormented by the suicide of his ex-girlfriend, Sarcaccia’s crown prince Vittorio Barrali escapes the glare of the cameras by secretly trading places with his twin brother and traveling to Argentina. There, he nurses his wounds in private, mentally preparing to resume the role to which he was born, a role that doesn’t allow emotion to take precedence over duty.

With her television show facing possible cancellation, At Home Abroad host Emily Sinclair learns the guest for her Buenos Aires season finale is a no-show. Fearing for her employees’ careers—not to mention her own—she’s elated when a chance meeting in a café provides the perfect replacement. But when the dark, handsome man resists her invitation despite the electricity sizzling between them, her curiosity is piqued. Then there’s the fact he looks so familiar…

Vittorio’s instinct is to help a woman in need, particularly one as enticing as Emily, whose work supports so many. But can he risk his own secrets coming to light?

Here is Goodreads's review:

I didn’t receive a RITA® Reader Challenge 2015 review for this book, so I’m compiling quotes from reviews online and using the grade average from Goodreads as a substitute.

This book has a 4.02 average, which I’m interpreting as an A-.

And here are the review quotes, linked to the original sources:

Adriana wrote:

Sarcaccia’s crown prince Vittorio Barrali needs time. Time away from the prying eyes of the public. Time to heal and figure things out. After the betrayal that ended his very public relationship, his ex-girlfriend committed suicide. With his world caving in, Vittorio accepts his twin brother’s offer of trading places and disappearing for a while. And as a commoner, Vittorio escapes to beautiful Argentina to find himself. Television host and producer Emily Sinclair is desperate. Her show is up for renewal, but at the last minute the couple that was going to be featured in the grand finale of At Home Abroad leaves her and her team hanging. In dire need of a replacement, Emily spots the gorgeous, dark and brooding man across the street from her café. Vittorio is tempted to save the beautiful woman in need, but appearing in her show would only mean danger for him. Blowing his cover after months deceiving his people could ruin everything. But Emily is insistent and determined. With passion all around them, it is hard to keep their attraction at bay, but when secrets are meant to be kept, can a TV show host or a prince in disguise do what is right by the people they love and each other?

The third installment of the Royal Scandals Series is funny, enticing and sweet. It takes readers on a voyage around Buenos Aires with it’s scents, images, food, architecture, history and music. It is a treat and it has a Barrali in it. Definitely a good read…

Irida wrote:

…I loved loved it! I think this was the best of all 3 books, because it’s completed in all elements. Not only the story is lovely like in the previous 2 books but we have closures not only regarding this couple but also the couples in the previous 2 books and a bit of all the Barrali royal family.

Tiff at Mostly YA Lit wrote:

Solid romance, full of sexy moments and the usual awesome Burnham insight into royals. Can’t wait for the next one!

Alice wrote:

This entire series has been increasingly good, but Book 3 is excellent with tight plotting, intensity of emotions and the depth of the wounds that need healing. If you are looking for a modern Prince Charming series, consider these books although these Princes are a bit more real and gritty.

Fool Me Twice by Meredith Duran

$
0
0

A-

Fool Me Twice

by Meredith Duran
March 25, 2014 · Pocket Books
Historical: EuropeanRomance

This RITA® Reader Challenge 2015 review was written by Nita G. This story was nominated for the RITA® in the Long Historical category.

The summary:

Sensible and lonely, Olivia Mather survives by her wits—and her strict policy of avoiding trouble. But when she realizes that the Duke of Marwick might hold the secrets of her family’s past, she does the unthinkable, infiltrating his household as a maid. She’ll clean his study and rifle through his papers looking for information.

Alastair de Grey has a single reason to live: vengeance. More beautiful than Lucifer, twice as feared, and thrice as cunning, he’ll use any weapon to punish those who fooled and betrayed him—even an impertinent maid who doesn’t know her place. But the more fascinated he becomes with the uppity redhead, the more dangerous his carefully designed plot becomes. For the one contingency he forgot to plan for was falling in love…and he cannot survive being fooled again.

Here is Nita G.'s review:

This was my first Meredith Duran. I liked it. The hero is tortured. The heroine is smart and determined. They banter. They fight. A great combination for me.

Olivia needs certain papers that Alastair de Gray has. She hopes the information she gets from these papers will stop her pursuers and she’ll be able to live in peace. She infiltrates his household as a maid in order to look for those papers. What she finds though is a household in chaos as their master self-exiles himself in his bedroom. Alastair’s now-dead wife really did a number on him. He thought they had a cordial marriage, but he soon finds out after her death that his wife did not agree.

Some might find the beginning of the story a bit slow. Alastair is extremely stubborn and it takes a while to get him out of his room and self-pity. I enjoyed the interplay between Olivia and Alastair during this time, so this wasn’t a problem for me. Alastair could also be rather mean. He’s extremely angry at his wife’s betrayal and has lost all his trust. I was not looking forward to him finding out what Olivia was actually doing in his home. HIs reaction was about what I expected. I was able to forgive him, but some might think he goes a little too far in how he treats Olivia at times. Alastair is also aware of their class difference and does try to tamp down on his attraction to her. He expects his servants to always do what he says immediately and Olivia right away pushes his buttons. But it’s exactly what he needs.

I thought this book very well written. I loved how Duran wrote the characters – how they thought.

But she, who had nothing, walked through the world with her chin held as high as his, and nothing seemed to shame her. How was it possible?

He knew why he wanted her. Just as an engineer coveted strange new devices, he wanted to strip her, disassemble her, study her parts, and make her secrets his own.

Great story, tortured hero, brave and bold heroine – I do recommend this one.

HaBO: Heroine Really Wanted a Jeep

$
0
0

Help a Bitch OutThis HaBO request is from Jordan, who is looking for a Harlequin from her college days:

So I read this book about 4 to 5 years ago. I worked in the dining hall at college and the ladies’ break room had a book shelf of help yourself books. I picked up several over the years, and have remembered or kept most of them except this one, but I can’t for the life of me remember the title of author.

I do remember that it was a Harlequin and based on what I think I remember of the cover it was most likely written in the 90’s or reprinted in the 90’s. The both the heroine and hero were brunette and they stood facing each other in front of a fire. That’s about all I remember of the cover.

In the story, the hero is a sheriff or something like that. I don’t remember how they meet, but I do remember that the heroine had witness something, either a murder or a robbery, but she had temporary amnesia *GASP* that she might have gotten from a car accident, or from when she was found wondering in the snow. I don’t remember which. I also think it was around Christmas time because the heroine needed to go to the mall to shop for something or pick up something and the hero had to take her.

The thing I remember the most was that she needed to buy a new car and the hero went along with her while mentally planning how he was going to haggle with the sales person for her to make sure she got a good deal, because women can’t buy cars on their own without getting taken advantage of by car salesmen. I laughed when I was reading it because as soon as they got there, the car salesman came over to the Jeep she was looking at. Before the hero could start haggling, the heroine said, “I’ll take this one,” shocking both the salesman and the hero. They both kept asking her if she was sure or wanted to look at any other vehicles, but she was firm in her decision and ready to pay and leave in her Jeep.

I think he was a little disappointed that he didn’t get to impress her with his negotiating skills, but ultimately realized that her no nonsense, straight to business attitude regarding such things was just part of her charm and appeal.

So, help a bitch out?

Does anyone remember a Jeep-loving heroine? Because that seems oddly specific, like whoa!

Viewing all 12283 articles
Browse latest View live